There's nothing like the long months of Jan, Feb, and March to throw a million things into your basket? Basket? Is basket a thing? I mean, of all the months I would choose to be busy, it would be those because they are the longest, slowest, coldest months. And kind of ugly. And cloudy. You get it. Not my favourite months of the year. After I finished with my Cursed By a Woman workshop I still had a number of things on my plate. I had my mentorship program where I am currently dissecting my second musical "Feather Pen Fairy Tales" with a dramaturg (a six-month process), I have also been asked to be a director for Moroni's Quest this Summer as well as take on a few musical assignments during the camp. We have already had some meetings about this and I am really excited about it. More so now because my Stake Musical Theatre Night is OVER! Months and months of planning, committing people, recommitting people, recommitting even more people, and then finally just filling in and doing it all yourself because you realize that people suck at commitment. Haha! Originally I was only supposed to be in only one number, "Never Fully Dressed" from ANNIE as one of the back up radio girls ("the Boylen sisters") with Kelly Moore and Tanis Taylor. I made Joe be Bert Healy. I think he had fun? Well. He didn't have a choice. Of all the numbers, I thought this one was going to be the most work. I had fifteen girls to teach choreography (ages 7-15) and I wasn't sure how it was going to go! Well. It was easy. And the girls were super eager to learn and every inch of them wanted to be there. They were oozing with excitement and happiness and they loved the heck out of me. It was awesome. They knew the choreography by the end of our very first one hour rehearsal. And we had four all together (and they begged me for more because that is how much they loved it)! This is where I thought it would be a great idea to insert four year old Zoe. She loves to sing and it will be SO cute, right? Well. Rehearsals were cute for the most part, but five minutes before show-time, she tripped and skimmed her knee. There wasn't a band-aid in the world that was going to wipe away all those tears in time for the show. Ugh. All those hours of rehearsal time, putting up with "you can have a snack AFTER rehearsal" or "I know you're tired, just one more time!" and trying to get her to listen only for her to not even be in the number at all! Learning lessons as I go I guess.
The other group number I directed was "Show Off" from The Drowsy Chaperone. I was hoping to involve some youth/YSA in this one, but youth are worse than four year olds. One by one they kept dropping out and at the half way point of rehearsals I had to make a decision and cancel the number because I didn't have time to keep reteaching new-comers. To say it tried my patience would be an understatement. I complained so much to Joe (and a select few others) about it. So much so that I fear I will receive no blessings for trying to fulfill my calling (Stake Cultural Arts Director)! In its place I begged Tanis Taylor to sing, "For Good" from Wicked with me. You must understand that at this point, this wasn't the only number to back out (nor was it the last), and I knew that if I was involved it and made my friend join me, we could count on this number. Plus, I have had a deep desire to sing this song on stage for a while. There was a Mom and daughter that were supposed to sing this and then they had to drop out, so someone had to do this! Tanis has a gorgeous soprano voice but is super shy on stage. I don't get it. She actually studied opera with Dad at the U of A back in the day. Yes. She is good. We decided that we were going to go full gear with costumes and make up. She preferred it (even though she was the one who had to paint her face green) because she would rather sing as a character in front of her students and their parents than sing as "herself." Haha! When I saw the both of us before "show time" I wanted to laugh because we both looked pretty ridiculous singing such a serious song. How can one be taken seriously while wearing a massive blonde wig, complete with tiara? I choked up so many times during our rehearsals. It is such a beautiful song with a beautiful message, but I had no time to choke up on stage. Literally the second I pinned my wig on Joe was exclaiming, "You're on! You're on! Hurry!" So, I ran to the stage, got mic-ed, and my heart was beating so fast, which is really annoying when you are the first person to sing and you don't have time to catch your breath. I didn't sound the way I wanted to, but oh well. I faked it by "act-singing." It still makes me a little annoyed because I know my voice is stronger than that, but oh well. At least I remembered all of my words, which I didn't do ONCE during rehearsals! Haha! Also, Tanis and I got to learn how to gaze into each others eyes for very long periods of time without laughing! We are true actresses now.
The very last act to pull out of the show was my Seven Brides for Seven Brothers number. So sad about this one because it didn't work last year either. I delegated this one. I offered to direct it, but the guy I put in charge said he could handle it and I was more than happy to hear that. He had a rocky start getting seven grown men together, but he had some last minute health issues and had to pull out. This is where I decided to enlist my kids hoping to pull on the heart strings of the audience so they could look past the lack of time put into it. "Trolls" has not only been watched over and over at my house, but also the soundtrack has been played over and over. Which means the kids know every song word for word. When I listen to Ellie sing "True Colours" along with Justin Timberlake it makes me want to cry because she sounds so beautiful (so does he). And then days before this happened Zoe was singing the chorus over and over in a bathroom stall. It was.... hilarious. So, I knew she knew the chorus at the very least! I ordered a Troll wig for Ellie and one for Zoe. And then I thought this one through. With only a week and a half to go, I just didn't have the time or patience to teach Zoe the song or choreography, so I bribed Jackson. As soon as I said he could dye his hair blue like a troll, he was in. This is how I was able to get away with all the hand holding and twirling. Joe kept bugging me to teach them harmonies. At first I resisted because it was just more work in an already super short timeline. But then I thought, "when else are we going to do this? Why not try?" So. I did. I simplified the harmonies like crazy and even then it was still tricky. Mostly for Ellie. Once Jackson had his parts memorized, it was Ellie who kept wanting to sing Jackson's parts. Haha! She really did try, but she would get frustrated when she heard herself get derailed and give me this look. Hey. At least she can hear herself getting off! I know we only had a week and a half, but those kids did so great. They practiced with me every day and it really paid off. They even got an audible "awwwwwww!" from the audience when they hugged at the end. It was really sweet. Makes me glad that things turned out the way they did just so I could have that experience with my kids. Ellie sure knows how to turn on that cute button and I was so proud of Jackson for overcoming his ten year old self and for committing to his character, even if it meant dancing with his sister in front of his friends. Well done kids. I was really worried that Noah might have felt left out, so I asked him straight up before we even started rehearsing and he was like, "NOPE!" But then after the show once he saw what it was for he was like, "Well, if I knew it was for this I would have said yes!" Haha! Good to know for next time. That boy surprises me sometimes.....
I told Sarah and Jenny that if I ever decide to do this again next year to tell me NO MAREN! DON'T DO IT! Haha! What I really mean is this: If you are going to do this, clear your plate. Or empty your basket. Or whatever. Make sure this is the ONLY thing you have going on because it will take over your life until it's over. Totally work with girls 7-15 again because they are the best. Do not bother with the youth because they are too busy and too cool. Or if we MUST have youth, choose a soloist, that way if they back out, they aren't wrecking the entire number. Delegate a little more this year to someone you trust will do the job! Perhaps there are others out there willing to choreograph numbers. Find out who they are and use them. Stop trying to do this all yourself. Because yikes. You will have no hair left.
The end.
The Phone Call
1 year ago









