Thanks again to Alysha Sladek for snapping some shots at my Feather Pen workshop Part Two from last weekend! Part One happened about a month before Part Two, and upon looking back I probably should have given myself a little more time (like a few months!!!). Part One was just reading through the script which gave me a really great idea of what needed to be changed. From here on out, I will always do a workshop sans music first and THEN do a workshop with music later. Between Part One and Part Two, I did lots of editing, wrote a few more songs, added and re-worked some songs, and almost died from stress. Things I wouldn't do again: Make a deadline between the end of Summer and beginning of school. I am a Summer chick. I love being outdoors. And so do my kids. It was really hard to balance our last days of Summer with writing and deadlines. I just can't be held indoors when the sun is shining!!! Also, ALL of my kids were home, always hovering. Not the greatest atmosphere for trying to get work done. And then what was I thinking trying to do this in September when the kids are all starting school and other new programs? It's a full-time job just filling out school forms, paying for programs, being a taxi, and making lunches. So. Lesson learned. About three weeks ago I almost called it in due to stress and being a terrible parent and human being. I might get things done, but I feel like everyone around me pays the price. I had made up my mind one night to email my cast the next morning to cancel. As I sat at my computer the next morning, Mark Mitchell (my friend that I hire to score and arrange my music) had emailed me a truck load of songs that I had sent for him to rework. I listened and read along to everything. It was coming together. This was going to happen. In that moment, I made the choice to be a kinder Mom and human AS WELL AS finish this project as completely as I possibly could without dying. Who was this for anyway? Me. So take a breath, Maren. Perspective! I am so glad I got my buns to work and just did it. With lots of prayer and hard work, these things always come together, right? So that's exactly what I did, and that's exactly what happened.
I need to give a shout out to my cast and chorus: Ben Grunewald, Hilary Hornberger, Anika Gross, Sarah Strong, Alysha Sladek, Tanis Taylor, Zach Ayers, Matt Jenson, Marc Gilchrist, Jarett Cahoon, Ryan Shiskowski, and Janelle Jenson on piano. And a big thank you to Caroline Russell-King who has been my mentor/dramaturg on this project since January. It is a whole new script thanks to her making me work the hardest I've ever worked ever. Also a huge thanks to Joe for his constant and unwavering support (and understanding when he comes home to a very undone house and frazzled wife). Last weekend brought tears to my eyes not only because I was hearing my music sung back to me for the first time, which is an incredible feeling by the way, but also because these friends of mine keep coming back to support me in my journey as I continue to write and create. Let's be real. Workshop weekends are work! I am asking people to take time out of their lives to be prepared to sing and read their parts in character, as well as ask and answer questions from their character's point of view---HOURS upon hours of work. All as volunteers. Because they are nice. And maybe because I bring food? They also all happen to be super talented, which is a major bonus for me.







I was so happy with the music, particularly with the opening song, "Festival." King Darius's section is my favourite and was a new addition from August's workshop. At first I had no idea how I was going to insert him, until one day it just worked. It wasn't my first idea, but I kept coming back to that section and knew I had to finish it. Then bam! It just spilled out of me in one evening. And that is a lovely feeling. I was very pleased with "The Trade" and "The Trade Reprise." The reprise had me in tears actually. Maren the blubbering chorister. I knew I would cry when I was writing and recording the rough demo. And as predicted, I sure did. "The Plan" had us all laughing, which is exactly what I was hoping for. "You Were in the Market" made my heart happy because romance is my jam. I wrote that one days after the August workshop. And I still like it. I am still on the fence with "Just a Boy" but it is very close and I don't think I will throw it away. Mark thinks that one is the most "Musical-Theatre" so now I can't possible toss it, can I?
After this workshop, I told myself I was going to take a major break. Instead of sitting at my computer and piano this past week, I sat in front of my TV and was the laziest sack (although I DID manage to catch up on laundry). It lasted three days. I can't not write. I don't know how to. Also, I finished binge-watching my show. So. I think what I WILL do is not give myself deadlines for a while and just write for fun while kids are at school and in the evenings when Joe is away (which is what I TRY to do but often fail). It becomes too much when I have to choose my kids/Joe/house/making dinner ...OR writing. Here's to no deadlines!
Back Row L-R: Ben Grunewald, Zach Ayers, Janelle Jenson, Jarett Cahoon, Ryan Shiskowski, Marc Gilchrist, Matt Jenson, Joe Burnham, Caroline Russell-King. Front Row L-R: Hilary Hornberger, Anika Gross, Me, Sarah Strong, Tanis Taylor, Alysha Sladek.